![]() ![]() Carbon windscreen surround looks fantastic.Has the right headlights for the vehicle (apologies to those with the spider-eyes lights on the Coupes - they just turn me off the front end of the car - even with the carbon surround).You can burn your backside if you get into the car and it has been left in the sun with the roof off.You can occasionally get a bit wet if you delay putting the top on when it threatens to rain.Sometimes the weather conditions mean that you have to put the roof on and miss out on getting fried in the sun, or drowned in the rain.Smoky vehicles really piss you off as nobody likes to inhale other vehicles emissions.You will not notice the extra weight on the road Heavier car, so if you are planning on serious tracking it will be slightly slower. ![]() If you are going shopping you are just going to have to put the roof back on Boot/trunk space will be largely taken up by the roof when you are going topless - this is only really an issue when you are touring with the car, or for a long weekend away.Not as pretty when viewed from the side and rear - the sister of a supermodel may not be as pretty, but she does more in the bedroom if you get my drift.The Ultimate Universe has so far been shown to be a unique setting in the Marvel multiverse, with a proactive variant of the Illuminati in the Maker's Council and several changes on the world scale. The result is a Spider-Man who has to recognize his direct culpability in who he becomes going forward - and the fact that he's directly responsible for any danger that comes his way. Instead, this version of Spider-Man comes across initially as more of a power trip, a chance to lead the exciting life that was denied him by an unexpected intervention. Guilt has always been a core element of many versions of Spider-Man, but this new Ultimate Universe variant takes that aspect away. While Peter could become the costumed hero in worlds where Ben survived, those timelines often took very different (and often somber) arcs. While there are incarnations of the character that largely downplay this aspect of the character (notably including his Marvel Cinematic Universe counterpart,) it's typically regarded as a core piece of the character - especially when it comes to Peter Parker. This is a big divergence from most versions of the character and presents a new perspective on his classic motivation. But this also means any fallout from this decision is also Peter's direct responsibility. It's referred to in the issue as Peter "waking up" in his life and realizing his full potential which places the impetus of his heroic identity directly on him. ![]() This means that his decision to become Spider-Man is less rooted in guilt and more driven by his desire to lead the life he was always meant to. That guilt that's always defined the character is more or less negated, leaving the Ultimate Peter to experience the life many of his multiversal counterparts could only ever dream of. That heroic drive - that inherent interplay of responsibility baked into the power fantasy of the superhero - is what makes him so important.īut because Peter Parker never got bit by the spider, the chain of events that resulted in Ben's death never occurred. Peter Parker could turn his back on the world at large, but ultimately can't allow himself to simply be indifferent again. Notably, this is always presented as his only choice on a moral level. The new Ultimate Spider-Man has responsibilities to his family, who will likely be endangered by his actions - and because he chose to be Spider-Man instead of feeling like he has to be Spider-Man, Peter Parker will have to accept the responsibility for whatever happens next.Įvery attempt the Earth-616 Peter Parker has made to leave his costumed identity behind, his underlying guilt complex has driven him back into the field. But the latest version of Peter Parker - fully introduced in Ultimate Spider-Man #1 by Jonathan Hickman, Marco Checchetto, Matthew Wilson, and VC's Cory Petit - diverges in a quietly serious and potentially fascinating way.īecause this is a version of Peter Parker who took on the mantle of Spider-Man willingly and without being driven by the guilt that compels many other versions of the character, it invites a deeper look at the potential cost and responsibility of heroism. Completely different characters can be Spider-Man, so long as they commit to the same principles of heroism and responsibility codified by Stan Lee and Steve Ditko's original Spider-Man. As showcased to masterful effect in films like Spider-Man: Across the Spider-Verse, Spider-Man is a character that can transcend genre and setting. ![]()
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